One of my favorite things about shooting in winter is how the sun stays low enough in the sky that there's no rush to get landscape shots. Even mid-morning the light is still great.
I don't know why I like shooting thickets so much. Maybe it's because their chaos is so different from the orderly composition I typically look for.
This scene from the Fountain Valley Overlook is the biggest composite I've ever done -- 24 images, HDR-blended and then merged into a single panoramic.
Ever since my road trip last summer I've been really into taking panoramics, even of scenes that don't necessarily scream for them. This spot along the trail is a perfect example.
I've never been reluctant to shoot directly into the sun, even before I was bracketing my shots and blending them for HDR in Lightroom. To me, the sun makes for a great visual anchor.
I stumbled right into a small herd of mule deer and didn't really feel like I could switch from my 18-104 wide-angle lens to my 80-400 zoom in time. So I went with what I had, and feel like at least this shot of the dominant buck turned out all right. Not sure why he seemed to be snarling at me, though.
Like I said -- not afraid to shoot right into the sun.
I hesitated briefly before trudging up to the Lyons Overlook. Really glad I did, as the detail in the formations here seemed to the sharpest of the entire hike.
I love that little formation with the one pillar jutting up above the others so much. Somebody really has to come up with a clever name for it. I've got nothing -- looks like a stretching turtle or extended finger to me.
One last panoramic, and I was finally done gorging on the winter scenery. These few hours were exactly why I drove up from Texas!
Related Links:
No comments:
Post a Comment